在草原上流传了多年的《黑骏马》的旋律中，那年离家十二年的白音宝力格（腾格尔 饰）重返草原，那年他要找到当年抚养自己的奶奶和青梅竹马的索米娅（娜仁花 饰）……幼年丧母的白音宝力格被父亲送给善心的奶奶收养，他和一般年纪的奶奶亲孙女索米娅自此开始了四季迁徙的牧民生活。在白音宝力格成长为少年时，一匹小马驹偶然跑到了他们的蒙古包外，这匹被名为钢嗄哈啦——黑骏马的小马陪伴着白音宝力格成长为少年。在外地工作的父亲来信，要求白音宝力格去城里的学校上学，在分别的前夕，不忍孙子离去的奶奶做主，让白音宝力格和索米娅订婚。三年后，学成乐器的白音宝力格归来，却发现索尼娅已怀有别人的孩子，无可奈何的白音宝力格再度离开了草原……本片根据张承志的同名小说改编。
阿桑
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
孙晓亮
回复 :主角保罗是一名工程师，拥有看似幸福的家庭。他并不完美，在生活中粗心又有点幼稚，爱幻想还有些花心，对现实生活有着各式抱怨。某天，他闯红灯发生车祸死去，到了天堂后却被告知其死亡比原定时间早了一小时三十二分钟。于是，他被允许在一位天堂员工的陪伴下返回人间，作为丈夫、父亲、朋友，需要在生命最后的一小时三十二分钟内安排完成所有他认为重要的事……
王雅文
回复 :1959年，切•格瓦拉（Benicio Del Toro本尼西奥•德尔•托罗 饰）与菲德尔•卡斯特罗（Rodrigo Santoro 罗德里格•桑托罗 饰）率领的游击队组织“七二六运动”终于推翻巴蒂斯塔政权，在古巴建立了新政府。然随着时间的推移，切和菲德尔在治国理念上逐渐发生分歧，最终他辞去政府中的要职，并放弃家庭和古巴公民的身份，再次投入解放第三世界的战争中去。几经辗转，切来到玻利维亚，与玻利维亚全国解放军共同展开游击队革命运动。玻利维亚总统René Barrientos（Joaquim de Almeida 饰）得知切的到来，决定不惜一切代价消灭这个令人头痛的革命者……为了详尽真实再现革命家切•格瓦拉的革命岁月，美国好莱坞著名导演史蒂芬•索德伯格（Steven Soderbergh）用了4个小时来描绘这位传奇英雄。最终按照院线的需要，影片被分作两部分上映。本片荣获2008年戛纳电影节最佳男主角奖，并获得金棕榈奖提名。
